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Tomatometers: 9 of 10 stars / Scores: 22196 vote / genre: Drama / country: France / Brittany, France, 1760. Marianne is commissioned to paint the wedding portrait of reluctant bride-to-be Héloïse under the guise of a hired companion. Observing Héloïse by day and discreetly interpreting her essence by night, their intimacy blossoms as the portrait progresses towards its inevitable completion / 122 min.

Portrait de la jeune fille en fuego. Portrait de la jeune fille en feu izle. This sounds incredible. Portrait de la jeune fille en feu amsterdam. Portrait de la jeune fille en feu. Portrait de la jeune fille en feu script. 🔥 Fire starter here. Xoxo. Portrait de la jeune fille en feu trailer subtitulado. Portrait de la jeune fille en feu trailer subtitled. This movie is the best one I've ever seen. Masterpiece.

I wish I heard the questions more clearly, but I loved the applause from the people on the film. Celine is great. Wish more questions for Naomi as well.

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The most fantastic movie I've seen in a long while. So beautiful and touching. Hats off to the extraordinarily talented actresses and actors in this film! A thing of beauty. Portrait de la jeune fille en euros. Portrait de la jeune fille en feu amazon. Portrait de la jeune fille en feu clip. Portrait de la jeune fille en feu final scene.

I am going to watch Portrait of a lady on fire once again. It's four times. Wonderful and amazing film! Noémie, you are very pretty. Cette femme a lair tellement en souffrance, cest palpable! Je la trouve lumineuse de beauté mais é la sent au bord des larmes, à cran, cest très émouvant et ça me met en colère quune si belle personne ait pu connaître si jeune lenfer des violences sexuelles.

There are few films which reach so deep, touching your very core. The ones that stay with you for a long time. The ones you want to watch again and again and again (and make you unearth your 14 year old IMDB account just to write a few words.
First time I left speechless. Haven't felt like that in the cinema in more than 15 years. Didn't see that coming, especially since a lot of critically acclaimed films in recent years left me unmoved and baffled with what the hype was about (e.g. Call Me by Your Name.
During the screening I was a bit impatient. I left with the profound feeling of sadness. Absolutely smitten with the exquisite main characters and depiction of their love. The story came to a conclusion and was complete but made me strive for more. I couldn't escape the images and feelings they incited.
Second time I was less anxious. Knowing how the story unfolds, enabled me to devour every look, gesture, movement of a brush on canvas. Made it possible to notice more, better understand the relationship with myth of the Eurydice and parallels between love, art and female subjectivity. This time I left elated and at ease. Still wanting more. I cannot wait to watch it again.
I highly recommend to see it in the cinema, because I think that a smaller screen and average audio system may not give the full experience.
Extraordinary collaboration of cast and crew. Beautiful piece reminding me what the Art in the cinema feels like.

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Click Here To Watch Or Download Portrait de la jeune fille en feu Movie Unlimited: Genre: Comedy Companies: France Release: 2019-09-18 Watch Portrait de la jeune fille en feu (2019) Movie Online Streaming | Watch Movie and TV Shows… Watch Portrait de la jeune fille en feu Movie Online For Free and Download Full HD without Registration | HDFlix Via ‘Portrait de la jeune fille en feu’ Review: Keanu Reeves Kills Everybody in Breathtakingly Violent Sequel One of Hollywood’s best action franchises gets bigger — if not always better — in a bloody sequel that functions as a meditation on fame. “Portrait de la jeune fille en feu” For a semi-retired super assassin who’s killed more people than the Bubonic plague, John Wick (Keanu Reeves) is actually a pretty relatable guy. Beneath the concave cheekbones, the magical handguns with infinite bullet capacity, and the byzantine criminal underworld that stretches to every corner of the globe, he’s just a monosyllabic middle-aged man who wants to be left the fuck alone. When the first movie of this increasingly ridiculous saga began, Mr. Wick was grieving his wife’s death in peace—then some Russian mobsters made the mistake of killing his dog (her name was Daisy, and she was very cute). This aggression, unknowingly committed against a man so dangerous that he used to be known as “Baba Yaga, ” forced John back into the network of contract killers he’d once left behind. And ever since the shadowy crime lords of the High Table sniffed blood, they haven’t lost the scent or minded their own business. At the end of “John Wick: Chapter 2, ” our laconic hero committed a big no-no by shooting a pest on the consecrated grounds of the Continental Hotel, but desperate times call for desperate measures, and every New Yorker knows what it’s like when the world gets a bit too close for comfort. Giddy, exhausting, and breathtakingly violent, “Portrait de la jeune fille en feu” begins a few seconds after the previous installment left off, with the excommunicated assassin trying to make the most of the hour-long headstart he’s been given to hide before the $14 million bounty on his head is triggered and the entire criminal underworld comes after him. Of course, anyone who’s seen the previous films in this unexpected franchise knows that its criminal underworld is more of an overworld, and that almost every featured extra? —? from street vendors and waiters to dog-walkers and homeless people? —? is a heat-packing hired gun who uses their role in the capitalist system as a disguise for their deeper allegiance to a veiled society that operates on an ancient market of codes and blood oaths. Now that Mr. Wick is square in the middle of all of those crosshairs, it’s become comically impossible for the deathless widower to find the solace he seeks. He’s a target, and it seems like the entire world has its finger on the trigger; he used to be anonymous, but now he’s a celebrity. In its most enjoyably demented moments, “Parabellum” is nothing short of a non-stop metaphor for being famous. Less artful but more concussive than its immediate predecessor, this latest outing finds Mr. Wick being clocked by strangers every time he enters a room, stalked by his biggest fans, and so desperate for someone who will treat him like an actual human being that he travels all the way to the Sahara Desert to find them. Everyone in the world knows him by name, New York City is the only place on Earth he can hide in plain sight, and the perks of his job don’t seem to compare with the harassment that comes with them. As Wick stumbles through the wet neon streets of Times Square—returning us to a surprisingly involved film world that flows like “The Raid” and looks like a hyper-saturated Instagram feed? —? it’s hard not to think of Reeves’ recent experience on a malfunctioning airplane, and how even that death-defying ordeal was turned into a viral moment (to the actor’s mild chagrin). Reeves once said that Wick was 40% him, but that number seems to have crept up a bit this time around. No movie has ever expressed the fight for anonymity with such viscerally literal force. True to the serialized nature of its title, “Portrait de la jeune fille en feu” starts in media res and ends on a cliffhanger. For an 131-minute film that devotes roughly 110 minutes of its runtime to people shooting each other in the head at close range, it would be almost impossible to follow for someone who isn’t up to speed. Still, the gist of the plot is pretty simple: John Wick kills a lot of people. Like, a lot of people. By the end of “Parabellum, ” he’s basically the leading cause of death in henchmen between the ages of 25 and 50. More of a one-man massacre than ever before (but just raggedy enough to keep things “real”), Mr. Wick fights in a punishingly brutal style that builds on what director Chad Stahelski invented for the character in the previous films. This is a character who appears to know every single language under the sun, but violence is the most expressive part of his vocabulary (Reeves speaks maybe 100 words in the entire movie). Chinese wushu, Japanese judo, Southeast Asian silat, American Glock… Wick is fluent in them all. But while Stahelski and his team have obviously put a great deal of thought into every frame of fisticuffs, “Parabellum” is so relentless that it often devolves into a numbing flurry of shoulder flips and headshots. If “Chapter 2” bordered on high art for how cleverly it weaved tactical shootouts into public locations (and made every fight operate like an organic bit of world-building), “Chapter 3” is more out in the open. A sneaky little skirmish in Grand Central Station doesn’t live up to Stahelski’s creative potential, even if it’s amazing they pulled off the scene at all. Elsewhere, a motorcycle chase along an empty Manhattan bridge is too rushed and blurry to deliver the “Fury Road” ferocity it teases, and the climactic brawl? —? which makes great use of some familiar faces, and hinges on a funny dynamic of mutual respect—is overwhelmed by a set that looks like a high-end watch commercial, and feels like a watered-down retread of the house of mirrors sequence from the end of the previous movie. Driven by a profound respect for the expressive power of beating someone to death, and empowered by their 54-year-old star’s remarkable skill and commitment, Stahelski and the other poets of percussive carnage that work at his 87Eleven Productions are still (a severed) head and shoulders above the rest of Hollywood’s stunt community. But they can do more with this character, even if it means slowing things down and widening them out. To that end, it’s telling that the most exciting brawl in “Parabellum” (with the possible exception of a knife fight in a Chinatown antiques store) maintains a more expansive vision, as Mr. Wick fights alongside Halle Berry and some four-legged sidekicks. Traveling to Casablanca for reasons that are never adequately explained, Mr. Wick meets up with an assassin named Sofia who owns a pair of well-trained Malinois dogs; like every other supporting character in this movie, there’s mixed blood between them, and she owes him something for some reason. There are coins and seals and lots of jibber jabber about High Table manners and then “Game of Thrones” star Jerome Flynn shows up as a Bronn-like business type who’s a bit too greedy for his own good (it’s hard to tell what accent Flynn is doing here, but he’s most definitely doing it). When the bullets fly, Sofia’s very Portrait de la jeune fille en feu lend a valuable assist, and Stahelski has to open things up in order to frame the dogs as they chew on fresh corpses. The sequence is very “John Wick” and horribly terrific in a hand-over-your-mouth kind of way; it does more than any of the tossed-off business with the Bowery King (Laurence Fishburn) or the Continental Hotel owner (Ian McShane) to whet our appetites for another adventure. Anjelica Huston is also somewhat wasted as the matriarch of a Harlem ballet academy with ties to Wick’s past, but her scenes are so immaculately shot that you’re willing to let it slide. In a film that plays fast and loose with NYC geography, all is forgiven by turning 175th street’s United Palace into the “Tarkovsky Theater, ” where people are trained to be killers in between performances of “Swan Lake. ” The film’s world-building works best in small doses. A meeting in the middle of the desert is a total dead end, whereas all sorts of fun details can be inferred from Stahelski’s frequent cutaways to the High Table nerve center, where dozens of tattooed and lip-glossed workers monitor Wick’s bounty with an old-fashioned switchboard (imagine a SuicideGirls reboot of “Mad Men” and you’ll have the right idea). Non-binary “Billions” star Asia Kate Dillon plays a stiff and slinky High Table adjudicator who’s covered in Thierry Mugler coture; part referee and part femme fatale, their performance speaks to an underworld that’s sustained by a mutual respect for all people so long as they don’t shoot the wrong target. While this franchise is starting to feel a bit long in the tooth, such details suggest that screenwriter Derek Kolstad (here sharing credit with three other scribes) can still mine this world for plenty of new life, so long as future installments find a way to deepen the John Wick mythos instead of just stretching it out. With the significant exception of “Mission: Impossible, ” this is easily the best action franchise Hollywood has going these days, and it would be great for it to keep going with renewed focus. The fact that Keanu Reeves is nearing 60 won’t matter to his fans. For one thing, the man is seemingly ageless. For another, retirement no longer seems like a realistic option for a guy who still gets recognized everywhere he goes. It doesn’t matter if you’re a Hollywood star or a $14 million bounty—fame can be a difficult thing to shake. It’s a work-or-die world, and being forgotten is neither on the table nor under it. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

Intelligente, brillante, rebelle, charismatique et, c'est pas sa faute, belle: la plus grande actrice du cinéma français actuelle. Is this a horror or lesbian love story? i get creepy vibes from watching this. Noémie Merlant is now my number one crush after seeing this. Dorky Adéle & hottie Noémie 😩♥. The film is about gaze and gays. Portrait de la jeune fille en europe. Portrait de la jeune fille en feu bonfire scene. Portrait de la jeune fille en feu musique. A sad yet hauntingly beautiful story.❣. Portrait de la jeune fille en feu. CUT THE CAMERAS. DEADASS. Portrait de la jeune fille en feu d'artifice. Portrait de la jeune fille en feu soundtrack. How did you get the clips? I've been dying to watch it and would buy it if necessary.

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Check out the Trailer for Portrait of a Lady on Fire directed by Céline Sciamma and starring Noémie Merlant and Adèle Haenel. Portrait de la jeune fille en feu scene finale. Congratulations 😍🥰😘. J'ai l'impression qu'elle pleure au début, elle n'a vraiment pas l'air bien, elle détourne le regard et les questions sont 100% sur le cul alors que le film parle de bien d'autre choses... Dans les wc on est tous les mê etc. hihi. First time I'm hearing Adele speaking English. I almost lost hope. She sounds amazing. Portrait de la jeune fille en feu film complet.

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Portrait de la jeune fille en œuvre. Portrait de la jeune fille en feu quotes. Portrait de la jeune fille en feu rouge. Portrait de la jeune fille en feu bande annonce. Something went wrong, but don’t fret — let’s give it another shot. They shouldve asked new questions bec most of it had already been asked and wed also wanna hear new answers from them. Portrait de la jeune fille en feu. Punaise elle a la même tête que billie eilish je trouve. Portrait de la jeune fille en feu critique. This movie most beautiful lgbtq movie i've ever seen. Portrait of a Lady on Fire Festival de Cannes film poster French Portrait de la jeune fille en feu Directed by Céline Sciamma Produced by Véronique Cayla Bénédicte Couvreur Written by Céline Sciamma Starring Noémie Merlant Adèle Haenel Music by Jean-Baptiste de Laubier Arthur Simonini Cinematography Claire Mathon Edited by Julien Lacheray Production company Lilies Films Distributed by Pyramide Films Release date 19 May 2019 ( Cannes) 18 September 2019 (France) Running time 120 minutes [1] Country France Language French Box office $8. 3 million [2] [3] Portrait of a Lady on Fire ( French: Portrait de la jeune fille en feu) is a 2019 French historical drama film written and directed by Céline Sciamma, starring Noémie Merlant and Adèle Haenel. Set in France in the late 18th century, the film tells the story of a forbidden affair between an aristocrat and a painter commissioned to paint her portrait. Portrait of a Lady on Fire was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. [4] [5] The film won the Queer Palm at Cannes, becoming the first film directed by a woman to win the award. [6] Sciamma also won the award for Best Screenplay at Cannes. [1] [7] [8] The film was theatrically released in France on 18 September 2019. [9] It was nominated for Independent Spirit Awards, Critics' Choice Awards and Golden Globe Awards for Best Foreign Language Film and was chosen by the National Board of Review as Top Five Foreign Language Films of 2019. Plot [ edit] At the end of the eighteenth century, Marianne, a young painter, is teaching painting lessons. One of her students asks her about a painting of hers, which Marianne calls Portrait de la jeune fille en feu. Years previously, Marianne arrives on an isolated island in Brittany. She had been commissioned to paint a portrait of a young woman named Héloïse, who is to be married off to a Milanese nobleman. Marianne is informed that Héloïse has previously refused to pose for portraits, as she does not want to be married; she had been living in a convent before the implied suicide of her older sister necessitated her return and her betrothal. Marianne acts as Héloïse's hired companion to be able to paint her in secret, and accompanies her on daily walks to memorize Héloïse's features. Marianne finishes the portrait, but finds herself unable to betray Héloïse's trust and reveals her true reason for arriving. After Héloïse criticises the painting, which does not seem to portray her true nature, Marianne destroys the work. Héloïse's mother is shocked to hear that Héloïse is willing to pose for Marianne over the next few days. While her mother leaves for Italy, Héloïse and Marianne's bond grows. One evening, they read the story of Orpheus and Eurydice while debating the true reason why Orpheus turned around to look at his wife. The pair help Sophie, a maid, have an abortion, and the three go to a bonfire gathering where women sing and dance, during which Héloïse's dress briefly catches fire. Meanwhile, Marianne is haunted throughout the house by visions of Héloïse in a wedding dress. The next day, Marianne and Héloïse go to a cave and share their first kiss, and passionately make love later that night. Over the next few days, their romance grows stronger. However, it is cut short by the inevitable return of Héloïse's mother. Marianne sketches drawings of each of them to remember each other, and bids a short farewell. As Marianne runs out of the house, she hears Héloïse say, "Turn around". She turns around and sees Héloïse in her wedding dress, appearing exactly as she did in the visions that haunted Marianne earlier. In the present, Marianne reveals that she saw Héloïse two more times. The first time was at a gallery in the form of a portrait, where Héloïse was shown with a child and surreptitiously holding a book open at page 28, recalling a self-portrait of Marianne she requested on that page. The second time was at a concert, where Héloïse was overwhelmed with emotions as the orchestra played the Presto from "Summer" from Vivaldi 's Four Seasons, which Marianne had previously played for her on a harpsichord. Production [ edit] Principal photography began in October 2018 [10] and was completed after 38 days. [11] Filming took place in Saint-Pierre-Quiberon in Brittany and a château in La Chapelle-Gauthier, Seine-et-Marne. [10] [12] The paintings and sketches in the film were made by artist Hélène Delmaire. She painted 16 hours every day during the course of filming, basing her painting on the blocking of the scenes. Her hands were also featured in the film. [13] To mark the release of the film in France, Delmaire's paintings from Portrait of a Lady on Fire were exhibited at the Galerie Joseph in Paris from 20 to 22 September 2019. [14] Cast [ edit] Noémie Merlant as Marianne Adèle Haenel as Héloïse Luàna Bajrami as Sophie Valeria Golino as The Countess Release [ edit] On 22 August 2018, film distributor MK2 began the sale of international rights to the film, with Pyramide Films acquiring the distribution rights for France. [15] On 10 February 2019, Curzon Artificial Eye acquired the rights for the United Kingdom, Karma Films did so for Spain, Cinéart for Benelux, and Folkets Bio for Sweden. [16] [17] Neon and Hulu acquired the distribution rights for North America on 22 May. [18] [19] Portrait of a Lady on Fire was released in France on 18 September 2019. [9] The film premiered theatrically in the United States as a limited release on 6 December 2019, to be followed by wide release on 14 February 2020. [20] It will be released in the United Kingdom on 28 February 2020. [21] Reception [ edit] Critical response [ edit] Portrait of a Lady on Fire was the subject of broad acclaim. On review aggregator website Rotten Tomatoes, the film has an approval rating of 98% based on 254 reviews from critics, with an average rating of 9. 06/10 and the consensus: "A singularly rich period piece, Portrait of a Lady on Fire finds stirring, thought-provoking drama within a powerfully acted romance". [22] On Metacritic, the film received a score of 95 out of 100, based on 38 critic reviews, indicating "universal acclaim". [23] Accolades [ edit] The film was one of three shortlisted by the French Ministry of Culture to be France's submission to the 92nd Academy Awards for Best International Feature Film, along with Les Misérables and Proxima. [24] Les Misérables was ultimately submitted. [25] Notes [ edit] References [ edit] ^ a b c "Portrait de la jeune fille en feu (Portrait of a Lady on Fire)". Festival de Cannes. 2019. Retrieved 27 May 2019. ^ "Portrait of a Lady on Fire". Box Office Mojo. IMDbPro. Retrieved 6 March 2020. ^ "Portrait de la jeune fille en feu". The Numbers. Nash Information Services. Retrieved 6 March 2020. ^ "The 2019 Official Selection". 18 April 2019. Retrieved 9 May 2019. ^ "Cannes festival 2019: full list of films". The Guardian. 6 May 2019. Retrieved 18 April 2019. ^ Richford, Rhonda. "Cannes: 'Portrait of a Lady on Fire' Takes Queer Palm Prize". Retrieved 25 May 2019. ^ a b Debruge, Peter (25 May 2019). "Bong Joon-ho's 'Parasite' Wins the Palme d'Or at Cannes". Variety. Retrieved 26 May 2019. ^ Pulver, Andrew (25 May 2019). "Bong Joon-ho's Parasite wins Palme d'Or at Cannes film festival". Retrieved 26 May 2019. ^ a b "Portrait de la jeune fille en feu". JP's Box-Office (in French). Retrieved 10 October 2019. ^ a b "Quiberon. Cinéma: Céline Sciamma et Adèle Haenel tournent sur la presqu'île". Le Télégramme. 24 October 2018. Retrieved 15 December 2019. ^ Leon, Melissa (9 December 2019). "A Lesbian Movie Masterpiece That Explodes the Male Gaze". The Daily Beast. Retrieved 15 December 2019. ^ Dutheil, Marie-Charlotte (30 May 2019). "La Chapelle-Gauthier: le château sous les feux de la rampe grâce au Festival de Cannes". Le Parisien. Retrieved 15 December 2019. ^ Inoa, Christopher L. (24 November 2019). "The Artist Behind the Paintings At the Heart of "Portrait of a Lady On Fire " ". Garage Magazine. Retrieved 26 November 2019. ^ "Paintings from the movie "Portrait of a Lady on Fire" at Galerie Joseph". Galerie Joseph. 2 October 2019. Retrieved 15 January 2020. ^ Goodfellow, Melanie (28 August 2018). "mk2 launches sales on Céline Sciamma's 'Portrait of A Lady On Fire', Porumboiu's 'The Passenger' (exclusive)". Screen Daily. Retrieved 28 May 2019. ^ Keslassy, Elsa (10 February 2019). "mk2 Scores Major Deals Across Its EFM Slate (EXCLUSIVE)". Retrieved 28 May 2019. ^ Grater, Tom (2 May 2019). "Cannes Competition pair 'Portrait Of A Lady On Fire', 'The Whistlers' land at UK's Curzon (exclusive)". Retrieved 7 May 2019. ^ Barraclough, Leo (22 May 2019). "Cannes: Neon, Hulu Acquire Celine Sciamma's 'Portrait of a Lady on Fire ' ". Retrieved 25 May 2019. ^ Wiseman, Andreas (22 May 2019). "NEON & Hulu Take North American Rights To Céline Sciamma's Palme d'Or Contender 'Portrait Of A Lady On Fire' — Cannes". Deadline Hollywood. Retrieved 28 May 2019. ^ Erbland, Kate (21 November 2019). " ' Portrait of a Lady on Fire' Announces New Release Plan With Hypnotic Teaser — Exclusive". IndieWire. Retrieved 2 December 2019. ^ Loughrey, Clarisse (9 October 2019). "Portrait of a Lady on Fire review, London Film Festival: A gorgeous study of two women in love, unbothered by the restrictions of men". The Independent. Retrieved 2 December 2019. ^ "Portrait of a Lady on Fire (Portrait de la jeune fille en feu)". Rotten Tomatoes. Fandango Media. Retrieved 15 February 2020. ^ "Portrait of a Lady on Fire". Metacritic. CBS Interactive. Retrieved 15 February 2020. ^ Erbland, Kate (18 September 2019). "France's Submission for the Best International Feature Film Oscar Could Be a Game-Changer". Indiewire. Retrieved 8 January 2020. ^ Sharf, Zack (20 September 2019). " ' Portrait of a Lady on Fire' Loses Out on France's Oscar Pick to Ladj Ly's 'Les Miserables ' ". Retrieved 8 January 2020. ^ Richford, Rhonda (24 May 2019). The Hollywood Reporter. Retrieved 25 May 2019. ^ Dalton, Ben (30 October 2019). " ' The Personal History Of David Copperfield', 'Wild Rose' head 2019 BIFA nominations". Retrieved 31 October 2019. ^ Ritman, Alex (1 December 2019). "British Independent Film Awards: 'For Sama' Wins Top Prize". Retrieved 7 December 2019. ^ "EFA Nominations". European Film Awards. Retrieved 11 November 2019. ^ Lattanzio, Ryan (7 December 2019). "European Film Awards 2019: Antonio Banderas, 'The Favourite, ' 'Portrait of a Lady on Fire' Triumph". Retrieved 7 December 2019. ^ "Portrait of a Lady on Fire Wins European University Film Award (EUFA)". European Film Academy. 6 December 2019. Retrieved 7 December 2019. ^ "Portrait of a Lady on Fire". European University Film Award. Retrieved 7 December 2019. ^ Beresford, Trilby (7 December 2019). " ' Parasite' Voted Best Picture by New York Film Critics Online". Retrieved 8 December 2019. ^ Lattanzio, Ryan (8 December 2019). "LA Film Critics Crown 'Parasite, ' Bong Joon Ho, Mary Kay Place, and Antonio Banderas". Retrieved 8 December 2019. ^ "Announcing the TFCA's 2019 Award Winners". Toronto Film Critics Association. 8 December 2019. Retrieved 5 January 2020. ^ Neglia, Matt (8 December 2019). "The 2019 Washington DC Area Film Critics Association (WAFCA) Winners". NextBestPicture. Retrieved 9 December 2019. ^ Neglia, Matt (8 December 2019). "The 2019 Women Film Critics Circle (WFCC) Nominations". Retrieved 9 December 2019. ^ "Once Upoan a Time... in Hollywood Leads Chicago Film Critics Association 2019 Award Nominations". Chicago Film Critics Association Awards. 12 December 2019. Archived from the original on 12 December 2019. Retrieved 5 January 2020. ^ "Chicago Film Critics Association". Chicago Film Critics Association. 14 December 2019. Retrieved 5 January 2020. ^ Jorgenson, Todd (16 December 2019). "DFW Film Critics Pick '1917' As Best Film Of 2019". Dallas–Fort Worth Film Critics Association. Archived from the original on 16 December 2019. Retrieved 5 January 2020. ^ "Current Winners – 2019 Awards". Boston Society of Film Critics. 15 December 2019. Retrieved 5 January 2020. ^ Neglia, Matt (15 December 2019). "The 2019 Boston Society Of Film Critics (BSFC) Winners". Next Best Picture. "The 2019 St. Louis Film Critics Association (StLFCA) Winners". Retrieved 17 December 2019. ^ Kohn, Eric (16 December 2019). "2019 Critics Poll: The Best Films and Performances According to Over 300 Critics From Around the World". Retrieved 5 January 2020. ^ "SFBAFCC 2019 Awards". San Francisco Bay Area Film Critics Circle. Retrieved 5 January 2020. ^ " ' Parasite' Named Best Picture of 2019 by Seattle Film Critics Society". Seattle Film Critics Society. 16 December 2019. Retrieved 5 January 2020. ^ "Marriage Story leads 2019 Florida Film Critics Awards Nominations". Florida Film Critics Circle. 19 December 2019. Retrieved 5 January 2020. ^ "Marriage Story and Portrait of a Lady on Fire tie for the most wins". 23 December 2019. Retrieved 5 January 2020. ^ Nyren, Erin (4 January 2020). "National Society of Film Critics Names 'Parasite' Best Picture". Retrieved 5 January 2020. ^ Sharf, Zack (9 December 2019). "Golden Globes Nominations 2020 (Updated Live)". Retrieved 9 December 2019. ^ Stoddard, Elizabeth (30 December 2019). "2019 AFCA Award Nominations". Austin Film Critics Association. Retrieved 5 January 2020. ^ Whittaker, Richard (7 January 2020). "Austin Film Critics Association Announces 2019 Awards". The Austin Chronicle. Retrieved 4 February 2020. ^ "2019 Awards (23rd Annual)". Online Film Critics Society. 22 December 2019. Retrieved 24 December 2019. ^ Mullen, Pat (6 January 2020). "Parasite Tops Online Film Critics Society Award Winners". That Shelf. Retrieved 7 January 2020. ^ "2019 Awards". New York Film Critics Circle. December 2019. Retrieved 7 December 2019. ^ Lewis, Hilary (3 December 2019). " ' The Irishman' Named Best Film by National Board of Review". Retrieved 3 December 2019. ^ Beresford, Trilby (3 January 2020). " ' Parasite, ' 'Portrait of a Lady on Fire, ' 'Pain and Glory' Lead Dorian Award Nominations". Retrieved 4 January 2020. ^ Adams, Ryan (10 January 2020). "Parasite and Bong Joon Ho Sweep GALECA With 5 Dorian Awards". Awards Daily. Retrieved 23 January 2020. ^ "2019 Awards". Georgia Film Critics Association. Retrieved 5 January 2020. ^ Peña, Jessica (10 January 2020). " ' Parasite' and '1917' Lead Georgia Film Critics Association Winners". Awards Circuit. Retrieved 23 January 2020. ^ "Critics' Choice Awards: 'The Irishman' Leads With 14 Nominations". Retrieved 8 December 2019. ^ "Here Are All the Winners From the 2020 Critics' Choice Awards". Billboard. 12 January 2020. Retrieved 23 January 2020. ^ Goodfellow, Melanie (3 December 2019). " ' Les Misérables' leads nominations in France's Lumière awards". Retrieved 9 December 2019. ^ Roxborough, Scott (27 January 2020). "France's Lumiere Awards: 'Les Misérables' Wins Best Film, Roman Polanski Tapped as Best Director". Retrieved 28 January 2020. ^ Grater, Tom (17 December 2019). " ' The Souvenir', 'The Irishman', '1917' Lead London Critics' Circle Film Award Nominees". Retrieved 5 January 2020. ^ Lodge, Guy (30 January 2020). " ' Parasite' Tops London Film Critics' Circle Awards". Retrieved 4 February 2020. ^ "Bafta Film Awards 2020: The nominations in full". BBC News. 7 January 2020. Retrieved 7 January 2020. ^ Lattanzio, Ryan (2 February 2020). "BAFTA Awards: '1917' Crowned Best Film (Full Winners List)". Retrieved 4 February 2020. ^ "2019 Winners". International Press Academy. Retrieved 3 February 2020. ^ D'Alessandro, Anthony (21 November 2019). "Spirit Award Nominations: A24 Leads For 4th Straight Year With 18 Noms As 'Uncut Gems' & 'The Lighthouse' Come Up Big". Retrieved 21 November 2019. ^ Galuppo, Mia; Nordyke, Kimberly; Howard, Annie (8 February 2020). "Film Independent Spirit Awards: 'The Farewell' Takes Best Feature; Complete Winners List". Retrieved 9 February 2020. ^ Tartaglione, Nancy (29 January 2020). "César Awards Nominations: Roman Polanski's 'An Officer And A Spy' Leads With 12; Ladj Ly's 'Les Misérables' Scores 11 – Full List". Retrieved 31 January 2020. ^ Roxborough, Scott (28 February 2020). " ' Les Miserables' Wins Best Film at Cesar Awards, Polanski Takes Best Director". Retrieved 29 February 2020. ^ Gardner, Chris; Howard, Annie (8 January 2020). "Outstanding Film - Limited Release - GLAAD Media Awards: 'Booksmart, ' 'Bombshell, ' 'Rocketman' Among Nominees". Retrieved 8 January 2020. Further reading [ edit] Abraham, Raphael (13 February 2020). "Céline Sciamma on defying convention with the all-female Portrait of a Lady on Fire". Financial Times. Archived from the original on 15 February 2020. Handler, Rachel (14 February 2020). "The Women Behind Portrait of a Lady on Fire Believe Their Movie Can Save the World". Vulture. Harris, Elizabeth A. (13 February 2020). "How 'Portrait of a Lady on Fire' Sees Power in Two Women in Love". The New York Times. Laffly, Tomris (21 February 2020). " ' Portrait of a Lady on Fire' Cinematographer, Costume Designer on the 'Painterly' 18th-Century Look". Variety. Scateni, Serena (26 February 2020). "How Portrait of a Lady on Fire celebrates the female gaze". BFI. Tapponi, Róisín (28 February 2020). "It's about time film began representing the lesbian gaze". The Guardian. External links [ edit] Portrait of a Lady on Fire at Pyramide Films (in French) Portrait of a Lady on Fire at MK2 Films Portrait of a Lady on Fire (2019 Festival de Cannes Press Kit). Lilies Films, 17 pp (in English) Portrait of a Lady on Fire on IMDb Portrait of a Lady on Fire at Rotten Tomatoes Portrait of a Lady on Fire at Metacritic.

Portrait de la jeune fille en ferme. I. CAN'T. WAIT. Portrait de la jeune fille en feu imdb. Que des mecs en studio autour d'Adèle ! L'ont fait exprès à France Inter. Portrait de la jeune fille en feu cannes. The first part of the film is fine, necessary for the story, but after this scene each subsequent scene is just one emotional explosion after another, culminating in one of the greatest final shots I've ever seen.

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